Constance and Fifi

Constance and Fifi
Constance and Fifi

These dolls started as a combination of fabrics rather than a clear idea of what they would end up looking like.  I always wanted them to be a pair, one dyed with indigo, the other with onion and both using the pale grey Liberty print fabric and the dark grey antique kimono scraps.

The Pale Rook - Cloth art dolls

I’ve got a massive hoard of Liberty scraps, I just can’t throw any of it away.  The prints are so beautiful that I think it’s such a shame to not use even the tiniest wee bits of it.   The same goes for kimono scraps.  I’ve collected old kimonos since I was a teenager and once they inevitably fall apart after years of wear and tear, I salvage what bits I can and save them up for quilting or doll making.

photo 2

I wanted these dolls to have long, skinny, floppy arms and legs and a sort of laziness about them.  The fabrics are so soft and fine that the dolls flopped over naturally but I added elongated feet and ears just to exaggerate it a bit.  I love the way the feet have turned out on both of them.

The Pale Rook - Art Dolls

I’ll be adding Constace and Fifi to my new Etsy store in the next few weeks, along with other creatures and dolls.  If you’d like to keep up to date you can find me on Facebook

Constance and Fifi
Constance and Fifi
Constance and Fifi
Constance and Fifi

The Oslo in my head

 

Oslo Towers
Oslo Towers

I first moved to Oslo, Norway in October 2012.   It was six weeks before I was due to exhibit as part of a collaboration with Scottish Artist Louise McVey and at that point I had no idea what I was going to make for the show.  I’d brought suitcases full of scraps of fabrics and threads with me and decided to collage them into little towers, just like the ones outside the window of my little studio.

Glasgow, my home town, is known for it’s rows and rows of almost identical sandstone tenements, and the pastel coloured buildings of Oslo were so different.  Each one seemed to have it’s own particular windows, gates and doors and it’s own colour scheme.  Instead of the huge curved bay windows of Glasgow’s tenements, they had rows of tiny little squares and rectangles.

These towers ended up being the first art works I made in Norway.  They were made from fabrics I’d collected, salvaged and hoarded since my college years in London, and it seemed to make sense to use them up to make my first art work of my first impressions of my new life in Norway.  I don’t usually use a sewing machine to make my sculptures but I like how scruffy and scratchy the stitching looks on these, it’s a good reflection of my state of mind at the time.  I was surrounded by boxes, threads, fabrics and yarns in a tiny wee room looking out at all the blue and yellow and white buildings with their tiny windows, trying to take it all in and and get my head straight, desperately missing home but hoping that my new life was going to be as lovely as I hoped it would be.

I try to keep my posts on here for new work as and when it happens, but I’m working on some new little houses and these came to mind.  If you’d like to keep up with the work as it’s in progress you can find me on Facebook here.

The Pale Rook - Oslo Towers             The Pale Rook - Oslo Towers            The Pale Rook - Oslo Towers