What Facebook wanted to know

I have been wanting to write a new post for a while but I’ve been struggling to come up with what to actually write about, so instead of musing it over or thinking too deeply I caved in and asked my Facebook page followers what they wanted me to write about.

I really didn’t have a lot of expectations about asking others to ask the questions, but there were some that have triggered other things I want to write about so the next few blog posts will be a direct result of some of the questions asked.

This post is like a warm up for them. I’ve become so reluctant to get something out there in the last few months. Having a blog post go accidentally viral just ended up freaking me out but it’s been way too long since I last wrote, so here goes.

Here’s what Facebook wanted to know.

 

Talk to me about what inspires you or talk to me about your creative space.

My creative space is currently a little desk in a corner and a couple of old cardboard suitcases rammed full of threads and bits of fabric. I have a new studio opening in the new year. It’s part of an old market building in the East end of Glasgow that’s being renovated, so I’ve been waiting a few months to actually get in to it and get comfy. Because my current creative space is a cramped little corner I try to make sure that the music I listen to while I work and the things I pin to the wall behind my desk are all useful to me for whatever project I’m working on. It can be hard to focus while working in a tiny little space but as long as I keep my mind on what I’m doing it’s all good.

I don’t tend to pin images onto my studio wall; more often it’s things like twigs, leaves, sea shells, bits of fabric and quotes. I love quotes.

What inspires the most are trees and the changing seasons. It’s a bit of a cliché but it’s true.

 
Is there anything that you’ve wanted to make but have been hesitant to do so because of a fear or an unknown technique?

No, I tend to be inspired by techniques rather than finding techniques that suit my ideas, so I don’t find that I’m limited by how to do things.

BUT there are more things in my mind that I want to make than things in the real world that I’ve actually made and that drives me mad. Your question has really made me think about why it is that what I actually get round to making is just the tip of the iceberg of what I want to do, so there’s a whole other blog post on the way about it.

I think the short answer is that the only thing that seems to stand in my way is lack of time, but I suspect that I have a habit of filling my time with distractions to avoid starting projects that are too far out of my comfort zone.

Rook drawing in progress
Rook drawing in progress

 

I am interested in your personal goals for your dolls or other art in the new year. Do you set goals for yourself or do you create as the muse visits?

I work with a mixture of both. I think if I just made things as and when it suits me then I’d be in a pretty dangerous position financially, so I try to balance work that feels steady and goal orientated with making time for work that’s more intuitive and experimental. I also find that working on things that are predictable and steady tends to bring up ideas for more creative work precisely because I don’t have the time to work on those ideas while I’m working to meet a deadline. I always have a little green note book in my bag so that if a random idea for a piece comes into my head at an inconvenient time I can write it down and come back to it later.

I have some pretty big goals for the new year and if I’m going to be completely honest I don’t want to share them yet because I kind of feel that I need to keep them under wraps to keep the momentum to follow through on them. I’ll definitely be telling you about them as and when they happen though.

 
What are your thoughts on being able to make space for reverie when life sometimes seems designed to squeeze it out? And do you remember childhood sources of reverie?

Reading your question triggered Kate Bush’s Wuthering Heights in my head, and it’s still there while I’m writing this, so the first bit of my answer is music. For me music is a short cut to whatever state I want to be in mentally or creatively. In terms of reverie, my never fail musical direct lines are just about anything by Kate Bush, the soundtrack to Twin Peaks, the soundtrack to Labyrinth, and Avalon by Roxy Music. Heaven or Las Vegas by the Cocteau Twins is a pretty safe bet too.

My childhood sources of reverie are the same as my adult ones; trees, the sea, moss, lichen, always the natural world. When I was a child I could get immersed in movies in a way that I don’t tend to now. My favourites were Labyrinth, The Never Ending Story and Splash. I could get completely drawn into the other worlds in those movies.

There’s going to have to be a whole blog post dedicated to this question because my mind is wandering way too much to keep it all in this one little answer.

 
What is the story of your first “doll”?

I don’t remember. I’ve been making little dolls and creatures since I was really little so I’m not sure what the first one was like. There are two types that I remember making a lot though. The first type were little wrapped wool dolls. The second type was made from crab apples, leaves and twigs.

The story of the dolls that led me to becoming a doll maker is here .

 
Of all the materials you’ve incorporated into your art, what has been the most unexpectedly enjoyable?

Wood. Definitely wood. It was a material that I’ve always been drawn to but never had the courage to work with. I found a second hand hunting knife in a thrift store in Oslo that cost about £5, took it home and cleaned and sharpened it, then started whittling twigs and branches with it. There’s something amazing about working with a potentially dangerous tool, it really calms and steadies your mind. Wood is such a beautiful material too, it has it’s own life. I love to carve into a piece without knowing exactly where I want to take it, then the wood can make some of the decisions for me.

Carved Juniper wood doll
Carved Juniper wood doll

And there’s the scent of wood too. I didn’t know that freshly carved wood smells like the fruit of that tree. Apple wood smells like apples, Juniper wood (my favourite) smells like juniper berries, Elder wood smells of elder flowers. Lilac wood actually has gorgeous lilac colours in the grain. There’s a whole world in wood that’s only revealed when it’s carved. I love it.

 
Has there ever been anything that you’ve thought about making but you just can’t quite bring yourself to make it yet?

Bit of an odd answer, but the only thing I haven’t quite found a way to get my head around is how to make male dolls realistic without them being comical or obscene. I’ve made a couple of male dolls and I’ve always caved and given them trousers to cover their manly bits. No one seems to find the breasts or crotches on my female dolls obscene but there’s something different about peoples perceptions of male bodies. It’s the only thing that I’ve wanted to do but thought I maybe shouldn’t do.

 

What has been the biggest surprise in this journey?

The fact that it’s happening at all.

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